Le Saut Dans Le Vide
Une oeuvre d'art est un coin de la creation vu a travers un tempérament



e. erdensyren@yahoo.com

Artist Statement

I am a Mongolian American cross-disciplinary artist merging visual art and film, born on the vast steppes of Mongolia. I grew up in societies of parallel cultural and political/societal dysfunction having been raised in Hungary and immigrating to the United States with my family at the age of 8.

My identity as a first generation Mongolian American migrant allows a life of duality where opposing values and norms of Eastern and Western spiritual and social traditions constantly clash and fuse – creating a marginal periphery of absent power origin. My ever-revolving dual identity as a first generation Mongolian American nomadic voyeur profoundly shapes my artistic process. I am interested in expressing the embattled emotional middle space of the marginal human devoid of identity. I seek to explore the conflicting psycho-spiritual, cultural and disjointed effects of globalization on marginalized identities with attention to woman’s issues; one who perpetually lives both in war and peace within two worlds, in both of which more or less a stranger.

My work is about history and tradition, identity censorship, mythology, folklore, dreams, spirituality, death, and nature set in contemplative scenarios that transform into symbolic allegories for socio-political issues. I like to work at the intersection of social change and contemplative practice to engage systems of power and transform systems of structured oppression. Within these (psychological mind) spaces, where the fragments of memory, dreams, and the residues of formative experience intermingle with contemporary mythology – I present a space for the renegotiation of identity and the realignment of desire. By revealing the strange and curious inner workings of the human condition, I aim to examine the fluctuating operations of human identity, desire, horror, wonder and fantasy.

My artistic process derives from a balance of intuitive and concept driven method of experimental creation. In my drawings, I seek to create visual tension through automatic and intended mark making. I like to fuse binary concepts and techniques of representation, from contrasting languages of wet and dry textures, precision and chaos, into stimulatory layers as to create conceptual proximity between forces of opposition and displacement. I find it most inspirational to be uncomfortable. I draw a lot of influence from a life lived on the social and metaphysical margins of the seen and unseen worlds. I often consciously place myself between polar, sometimes extreme experiences where I store and draw an infinite amount of unique inspirations, themes and images from.

I experience my artistic production as an act of creative play between subject and object, and aim for a convulsive spontaneity in the journey of their creation. Similarly, I express my ideas and concepts through cross-disciplinary mediums of painting, writing, installation, multimedia and filmmaking.

My art is birthed out of a mix of pain and personal experiences derived from the collective human condition. Through line, I aspire to lift the viewer and bring light into their day. My art seeks to awaken the consciousness and eradicate/transform borders – connecting people to ideas and stories where they can mirror themselves and transcend into formless dimension. I seek to present a holistic visual guide in how one can remedy the soul from that of suffering to resilience and authentic personal self empowerment. All my creative outlets act as a transparent extension of my life and my perpetual curiosity, search to identify and empower through the power of empathy and inspiration.


Eriko Tsogo is a Mongolian American artist, art management professional, civic rights activist and DACA recipient born on the steppes of Ulaanbaatar, Mongolia. Eriko grew up in Budapest, Hungary and immigrated to the United States with her family at the age of 8. She is an alumni of Denver School of the Arts, having attained her B.F.A (2012) from the School of the Museum of Fine Arts Boston and Tufts University. She is based in Denver and mindscape Mongolia but lives bi-coastally in the US.

Eriko has had numerous art shows, curatorial projects and art residencies throughout the United States. In 2018, Eriko founded the “International Yurt Art Residency Program” an artist-in-residence program focused on facilitating artist exchange between Colorado and Mongolia. She is also the founder of the “Dream Yurt” nomadic civic engagement project series dedicated to promoting kinship across our differences while eradicating social barriers through the power of art and community.

Alongside her art practice, Eriko has worked as the Creative Director at the Mongolian Culture and Heritage Center of Colorado from 2012 – 2018. She currently works as the Arts Education Coordinator at Cherry Arts organization. Eriko is a published author of two art books, and the founder/designer of “HiliteDreamer” and “DACAMERICALIEN” call-to-action apparel collections honoring the silenced voices of the immigrant, undocumented, queer, and marginalized population.

Eriko’s first animated short film entitled “Tears of the Sky” premiered at the 2019 Colorado Dragon Film Festival. Eriko is currently in process of working on her upcoming exhibition at the Dairy Center for the Arts entitled “Minii Eej, Minii Burhan | My Mother, My God” running from May 10th – June 25th, 2019. Collaborating with her mother as muse, the exhibition is designed to spread and encourage unconditional healing compassion through the celebration of the divine feminine in all of us.