Le Saut Dans Le Vide
Une oeuvre d'art est un coin de la creation vu a travers un tempérament



e. erdensyren@yahoo.com

Artist Statement

I am a Mongolian American cross-disciplinary artist merging visual art and film, born on the vast steppes of Mongolia. I grew up in societies of parallel cultural and political/societal dysfunction having been raised in Hungary and immigrating to the United States with my family at the age of 8.

My identity as a first generation Mongolian American migrant allows a life of duality where opposing values and norms of Eastern and Western spiritual and social traditions constantly clash and fuse – creating a marginal periphery of absent power origin. My ever-revolving dual identity as a first generation Mongolian American nomadic voyeur profoundly shapes my artistic process. I am interested in expressing the embattled emotional middle space of the marginal human devoid of identity. I seek to explore the conflicting psycho-spiritual, cultural and disjointed effects of globalization on marginalized identities with attention to woman’s issues; one who perpetually lives both in war and peace within two worlds, in both of which more or less a stranger.

My work is about history and tradition, identity censorship, mythology, folklore, dreams, spirituality, death, and nature set in contemplative scenarios that transform into symbolic allegories for socio-political issues. I like to work at the intersection of social change and contemplative practice to engage systems of power and transform systems of structured oppression. Within these (psychological mind) spaces, where the fragments of memory, dreams, and the residues of formative experience intermingle with contemporary mythology – I present a space for the renegotiation of identity and the realignment of desire. By revealing the strange and curious inner workings of the human condition, I aim to examine the fluctuating operations of human identity, desire, horror, wonder and fantasy.

My artistic process derives from a balance of intuitive and concept driven method of experimental creation. In my drawings, I seek to create visual tension through automatic and intended mark making. I like to fuse binary concepts and techniques of representation, from contrasting languages of wet and dry textures, precision and chaos, into stimulatory layers as to create conceptual proximity between forces of opposition and displacement. I find it most inspirational to be uncomfortable. I draw a lot of influence from a life lived on the social and metaphysical margins of the seen and unseen worlds. I often consciously place myself between polar, extreme experiences where I store and draw an infinite amount of unique inspirations, themes and images from.

I experience my artistic production as an act of creative play between subject and object, and aim for a convulsive spontaneity in the journey of their creation. Similarly, I express my ideas and concepts through cross-disciplinary mediums of painting, writing, installation, multimedia and filmmaking.

My art is birthed out of a mix of pain and personal experiences derived from the collective human condition. Through line, I aspire to lift the viewer. My art seeks to awaken the consciousness and eradicate/transform borders – connecting people to ideas and stories where they can mirror themselves and transcend into formless dimension. I seek to present a holistic visual guide in how one can remedy the soul from that of suffering to resilience and authentic personal self empowerment. All my creative outlets act as transparent extensions of my life and my perpetual curiosity, search to identify and empower through the power of art and social practices by way of education, empathy, inspiration, advocacy and empowerment.